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Career
Biography |
It is truly
uncommon, in any field of endeavor,
to find a recognized authority who
has coupled
a thorough and exhaustive study on
the scientific level
with years of arduous work and
personal application.
Then, with affection and infinite
compassion,
be willing to share his success
discoveries with others,
an expert of this caliber is a
truly valuable commodity.
Claude Gordon was this type of
expert.
Though much has been written
about the career of Claude Gordon, it seemed fitting that
this biography should come from the final interview
Claude gave
before his death on May 16, 1996.
Claude Gordon with his beloved
cornet, given to him by his father when he was
five years old. |
"I began my
musical career at a very early age. By the age of
8 I was a professional cornetist and by the age
of 14 I was a professional player and teacher of
both the cornet and piano-accordian. My
professional career covered a span of seventy
years until ill health forced me to retire in
1994 All of my brothers and sisters were
musicians. My father was a clarinet soloist
and played with many of the old bands of
his time. He was also a friend of Herbert L.
Clarke, who played such a vital role in shaping
my career. My mother was a concert
pianist. The entire family made up the
orchestra that became staff orchestra for an
early northern radio station. We also
become the number one concert orchestra for
various hotels in the northwestern states.
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| My mother spent
hours with me and each of my brothers and sisters
in practicing our lessons. It became so
natural for all of us to play solos and duets as
well as orchestral works. My father was
conducting a 40 piece theater orchestra.
One evening he sat me in the trumpet section and
told me to "follow the part." I
did follow it, even though I did not yet know the
names of the notes. I learned to follow the
parts well and later became an excellent
reader. While in public school, which ended
when I graduated from Great Falls High School, I
formed my first eight piece orchestra at the age
of 16. I enjoyed becoming involved in every
musical activity and community function where a
musical opportunity presented itself.
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Claude Gordon plays both
according and cornet for a crowd of 25,000
people. The program was broadcast by remote
control. Great Falls, Montana, July
4,1932 |
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A
decision to leave Montana in 1936 and come to Los
Angeles started my long and fruitful relationship
with the famed cornet soloist, Dr. Herbert L.
Clarke, that lasted until his death in 1945, and
one that set me on the road to a career that
I doubt would have been as successful without his
influence. His advise to me was always
"don't stop where I stopped - go
further." |
| Claude Gordon and Herbert
L. Clarke on November 26, 1937, after a lesson at
Clarke's home in Long Beach , California.
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Those words in the back of my mind became the driving
force that helped me to overcome discouragement and the
negative advice of others. It was also at this time
that a serious and personal interest in the Bible started
to take root, providing me a stabilizing force that is
still with me to this day.
Claude appears playing his accordion in this
1939 motion picture musical An Old Spanish Custom, later
renamed In Rhumba Land, featuring the Darryl Harpa
Orchestra and celebrated singer, Wini Shaw.
(Released through Universal Studios.
Still searching for a film copy, please
help.)
Claude Gordon's Orchestra won out as top band
of the United States and Canada in the American
Federation of Musicians best new band contest for
1959. Gordon's orchestra competed against 183 bands
in the United States and Canada for this coveted
honor. He first was pitted against 16 Los Angeles
bands on Friday, May 1, and six regional bands on
Saturday, May 2 at the Hollywood Palladium. As a
winner in the preliminary division he moved onto The
Chicago Aragon on May 8 and took the semi-finals in
competition with other regional winners. Off to a
smashing start and into the finals at New York's
famous Roseland Ballroom on May 11, where he took the top
honors in this most important band event.
Across the bottom, left
to right: Saxes: Ron Brandvick, Cecil Hill, Pete
Galodoro, Wayne Songer, Jr. Second row: Trombones: Gil
Falco, Johnny Wanner. Third Row: Trumpets: Kenny Hillman,
Sanford Skinner, Dick Forrest (Feinberg), Piano: Bob
Piper, Drums: Ray Price, Base: Val Kolar
The last trumpet teacher that I studied with was Louis
Maggio, who was doing great things for players in Los Angeles. I
studied with him for about three years
after Clarke died.
Thus, it was with the influence of these two great
teachers that I started my first method book, Systematic
Approach to Daily Practice for Trumpet Then my
second, Daily Trumpet Routines and a third, Physical
Approach to Elementary Brass Playing.
In all, I have written six method books for treble
clef and bass, the last one being Brass Playing is No
Harder than Deep Breathing. I also edited the
bass clef edition of Clarke-Gordon Technical Studies
for Bass Clef. In addition to
these books I have annotated Arban's Complete
Conservatory Method for Trumpet, now in print, and
have submitted annotations for Saint-Jacome's GrandMethod
for Trumpet. All of these books are published
by Carl Fischer Publications.
My "method" is the detailed subject of an 85
minute, color video tape entitled The Seven Natural
Elements of Brass Playing. All of these
materials have been universally distributed and accepted
by brass players the world over. And
I am proud to say, have helped many students to become
notable names in their own right.
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Although
my orchestra never had a hit recording
you can still hear some of my studio playing in
TV reruns, such as the I Love Lucy show on
the Nickelodeon Cable Channel's Nick At Nite. In
1992, my achievements and contributions to the
world of music and teaching were recognized in
the form of a formal presentation of an honorary
doctorate degree in the field of "Music and
Letters," from the La Sierra University in
Riverside, California.
Currently my wife, Patty, is putting together
a photographic history and documented biography
of my career and private moments in my
life, When finished, it will be released
through the Claude
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| Claude giving acceptance
speech for his doctorate on June 24, 1992
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Gordon Music Enterprise, a mail order business
that she established this year."
A Final Note
April 5, 1916 - May 16, 1996
The last page in the chapter of a brilliant life and
career has closed for the world renowned trumpet virtuoso
and foremost authority on brass playing.
The "King of Brass," Claude Gordon, died at
home in the mountain community
of Big Bear Lake, California, on May 16, 1996.
Claude was 80 years of age at the time of his death, a
victim to cancer.
The "Claude Gordon Method," as his books,
video tapes and teachings are referred to, has impacted
the world of brass playing for an indelible betterment
that it had never known until his time. It will continue
to be his legacy to time indefinite, for as long as there
is a brass playing world out there and for as long
as there is a brass player in it.
Claude Gordon's spectacular music and
teaching career began at age five when his orchestra
director father gave him a cornet, taught how to finger
and told him to "practice." It ended at
the age of 80, just a few days after completing the
interview above.
Copyright
© 2007 All rights reserved.
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